As writers, we must stand behind our manuscript even when others think it’s crap. If we don’t believe in our story, then why should our readers? And sometimes that means standing up for our product when no one else will.
Writers may submit their story to hundreds of agents and editors before they find one who shares their belief in its marketablity. More often than not, they never do. But most writers are thick skinned. If not, we become that way along the journey to publication. We can’t give up at the first sign of rejection or because of a scathing review from a contest judge. It would signal a lack of confidence in our abilities. Perhaps that’s why many indie authors have created their own “breaks” when the industry provided none.
I understand it’s a tough time for publishers. It’s also a tough time for writers. There’s a battle being waged. Both sides are struggling to find compromise in an ever changing industry. It’s the best of times and the worst of times.
When debut or mid-list authors could no longer find a place to market their work, it only stands to reason they would search for other outlets. A venue which embraces creativity – like Kindle Direct Publishing, PubIt or small digital presses who still offer the values associated with publishers from decades ago. Talk to any author who’s worked with a small publisher and 99% will tell you their experience was positive. They may not earn as much in royalties as with a large publisher but at least they’re gaining readership and the communication, advice and ethics are stellar. Which is why many authors stay with a small press in some capacity even when new opportunities arise.
KDP is wooing authors with both their KDP Select program and exclusive imprints. And they’re getting them. Granted, your work must stand on its own. A decision to indie publish does not guarantee readership. You must still produce a well written, well edited product with decent cover art. In fact, a good indie author will be the first to encourage a newbie to find a copy editor/beta reader to look over their work before it’s published.
Digital format, however, still provides a great platform to present stories that might not fit into the strict genre specifications of a publisher. Take Darcie Chan for instance. Her novel, The Mill River Recluse, has sold over 400,000 copies and landed on several best seller lists. This is the same book that was rejected by 12 publishers and over 100 literary agents because they said it wasn’t a good fit.
Several years ago, indie published authors got a bad rap. We were the ones who allegedly couldn’t make it in the “real” world so we had to self-publish. Then the market started changing. Print published authors began self publishing their back list, enjoying the control and higher royalty percentages that accompany indie authors. Many mid-list authors, squeezed out as publishers began to downsize and cut back on their production, turned to digital publishing as a means to maintain market presence and connect with new readers. With this influx of “authentic” authors and the explosion of eReaders into Main Street America homes, indie publishing gained a great deal of ground in a short amount of time. Much of it because the quality of ebooks has dramatically increased.
I’m an indie writer. I choose to be. I work hard to ensure my novels tell a solid story while weaving in a few plot twists to catch the reader by surprise. My experience with other indie authors is that they’re career focused individuals who spend time, money and effort to ensure their books are the best they can be. I’ve read print published books that failed miserably to achieve what many indie authors produce . . . well-written, well-edited stories.
Are there still books out there not ready for public consumption? Of course. Both in digital format and print. But the old argument from publishers and their lobbyists who claim ebooks are not the same caliber as print is just that . . . old.
I’m proud to be part of a growing trend that is proving them wrong.